Concert Paper About Blue Man Group

Sarah DeMattio LA 321-801 C erstwhilert Paper 2/2/13 though I had often heard of them g gradeing up, I neer re eithery knew who, or what, blueing world concourse was. When my nineteenth birthday came along earlier this past January, my scoop out friend decided that in jubilancy of my birthday, we would be solving our knowledge age-long arcanum about good-for- nonhing bit throng. We were passing to a designate to fool what only it was that these blue custody did. My initial reply was certainly less than satisfied when my shell friend told me that she got us tickets to see sinister Man Group for my birthday.I remembered a intervention we had had a few months prior when we talk avidly about how our parents al focuss do references to something c whollyed the blue gay group as we were growing up, and that we still to that day had no idea what it was or why it was being referenced in the branch place. Though still not completely convinced, I bit my tongue, thanked my friend for the gesture, told her I could not wait to see the image, and calmed myself with the thought that at least finally, my questions of the smurph band would be answered. On January 6th, 2013, my friend Kaya and I made our way downtown.We had tickets to see the 8 p. m. introduce of sad Man Group at the Astor touch Theater. Upon arrival to the venue, my reservations about the experience became even so more acute the theater looked the like some descriptor of underground vulgarism dungeon Ive heard about and warned of. We entered the theater lobby where I straightway noticed the concession and souvenir stand, because by from the usual assortments of cookies, popcorns and soft drinks, the top recommended occurrence to buy was a poncho. My suspicions instantly smasher their zenith. Kaya, what the heck did you bring me to? Kaya laughed off my remark and once we were seated, elaborated about the ponchos. She told me that contrary to normal shows, where the closer you r seat is to the stage in orchestra, the more expensive the seat becomes, Blue Man Group actually offers a discounted price for the first 5 rows of Orchestra. The splatter zone, if you will. And that of course, explains the need for ponchos. Our seats happened to be the first row behind the last row of the splash zone, so ostensibly I spent the complete show holding my breath a junior-grade in fear that bodily fluids of every kind would make their way to me. They didnt, thankfully.Blue Man Group consisted of three men that were all bald, blue, wore black clothing, and had extremely large talk capacities. My favorite moment of the entire 105-minute show is hard to decide, both honestly and to my surprise. wiz of my top favorite and most strike moments of the show was each time the men played their large bongo-type, garbage receptacles as drums. Two men played their own drums simultaneously while the third man stood in the middle of the two and squirted distinct colored liquid s onto the drums, thus splashing rich water everywhere and creating some kind of a rainbow waterfall.It was both visually fantastical and musically pleasing. The Blue Man Groups abilities varied, barely certainly never failed to impress. I cannot really describe what they played, or even did. They seem to have a knack for making instruments out of anything but instruments, and creating art with anything but art supplies. The combine of the sarcastic, poking-fun-at-society nature of the Blue Man Group along with their quirky abilities, talents, and looks, was what made the entire experience such a cheerily surprising and enjoyable one.I am not a big fan of freakish looking characters that do odd things, dot into the audience, and chew Captain Crunch grain in harmony, but for Blue Man Group, I made the exception and would over again and again in a heartbeat. The show was unlike anything Ive ever experienced. It is a different and interesting approach to having fun, and I am d etermined to make any other doubters in my life see what Blue Man Group is all about for themselves.